Saturday, April 2, 2011

Final Project

So I wrote some stuff about Iran and Islam and Zoroastrianism and the 7th century CE.

http://iranianislam.blogspot.com/

[Note: due to technical problems, the videos, while scheduled to be posted at certain times, were only all finally uploaded by 11:45 PM on Tuesday the 5th. The actual content under the page "The Paper" was posted at 3:00 PM on the 5th, but, for some reason, pages aren't timestamped]

Monday, March 14, 2011

Sidestep


So I’ve been doing this whole steps-along-the-Silk-Road(s) thing, and it’s been getting more and more difficult, but it’s a fun challenge. This week, however, it’s just been...beyond trying. And I finally decided that, if this were a step along this Silk Road(s), it would be stop and rant about things every so often. I realize a lot of what I write here probably comes across as pretty rant-like, but this one, I assure you, is definitely the real deal.
Last week, I read an interesting article about the Bamiyan Buddhas in Afghanistan by a man with the wonderful name of Finbarr Barry Flood. And I must admit that I have very probably slandered him, because, while I still feel that his style was shoddy and his writing sub-par, my conclusion on his article was that he failed to convince me that the destruction of the Buddhas by the Taliban was entirely political and modern in nature. It is very clear to me now, though, that not only had he convinced me of these things, but he equipped me to be able to argue them.
I read first this week an entry from the Encyclopedia of Race and Culture Studies on UNESCO. It pretty much outlines UNESCO’s mandate to prevent racism and educate people to further the goal of the total elimination of racism. So far, so good. The next entry from the encyclopedia was on the UN, and was pretty much a history of anti-racism campaigns and projects.
With this in mind, I picked up my scanned pages of Art and Archaeology of Afghanistan, and started with an article entitled “UNESCOS’s Rehabilitation of Afghanistan’s Cultural Heritage Mandate and Recent Activities”, which brought me to the following questions1
1.       WHY is an organization mandated for the elimination of racism restoring art?
2.       Why do the ALREADY-DESTROYED Bamiyan Buddhas get all this huge international attention and SO MUCH money when it says at the very beginning of the article that the UNESCO working groups agreed to leave Bamiyan alone and tend to sites with more pressing needs?
For the first: I kind of ended the article being all “Well, cultural heritage, it’s like...you’re destroying someone else’s religion and stuff, so...UNESCO can totally get involved in that...I guess...
For the second: I thought and thought and still came up with 2+2=5, so I was already a little sceptical when I picked up the next article, “Afghan Cultural Heritage and International Law: The Case of the Buddhas of Bamiyan”.
Here beginneth the rant – which is pretty much a transcription of thoughts as they went through my mind as I read.
1.       So WHY do we care about iconoclasm? And where do we draw the line between suppressing one religion in favour of another? Also, if someone like ___ can write an article that’s all “Yeah, you guys are stupid – iconoclasm? This is all political”, then how can you honestly call yourself an educated author and just...stick with what appears to be the status quo opinion of popular media?
2.       HOW IS LOADED AND OFFENSEIVE VOCABULARY IN A SCHOLARLY PAPER ANY BETTER THAN “ICONOCLAMS”?!
3.       How can you commit a “crime against culture”?
4.       So this kind of invective is pretty anti-Islam, which is counter to UNESCO’s ACTUAL mandate to work to the elimination of discrimination based on race, gender, religion, etc. So that’s not cool, UNESCO-people-publishing-this-thing.
5.       Since when are 2 statues allowed to be referred to as “all Afghan cultural heritage”, and wince when are we allowed in scholarship to draw these giant generalizations?
6.       Okay, so, actually? Stop talking about this “Northern Alliance” as if it’s so great. I wrote a paper on the application of Just War Theory to Afghanistan, and, let me tell you, you only have to dig a little bit to discover that the “Northern Alliance” were fierce, bloodthirsty, ABSOLUTELY BRUTAL warlords. Acknowledge, please, that they were not the legitimate and superior government?
7.       Okay, so, I can see how a bunch of conventions were broken by the breaking of the Bamiyan Buddhas – nobody’s arguing that that wasn’t a “good” action or whatever. But, like, dude. Does that justify this harsh, loaded rhetoric?
8.       So because UNESCO says that the destruction of the Buddhas “affected everyone”, we accept that? Why so we just accept these pronouncements that often have, as the UNESCO encyclopedia article showed, TONS of scholarly disagreement surrounding them, and don’t ever (except that one time in 1964) have anything resembling scholarly consensus at their inception?
9.       This focus on “yay cultural preservation!” is weord, given that
a.       NOBODY CARED ABOUT CULTURAL PRESENTATION IN VIETNAM/Cambodie/etc – that was all about human rights violations
b.      AFGHANI CHILDREN ARE STILL STARVING. Like, I know the money and manpower donated for restoration was in addition to instead of taking away from humanitarian aid, but something about this big iddue we have with preserving some statues who aren’t exactly going anywahere, while the main problems of the region haven’t been solved or anywhere NEAR solved is...irksome. Terrifying. And doesn’t speak well for humanity.
IN CONCLUSION to my rant: I have no answers to these questions. But, knowing what I know about Afghanistan, and, thanks to Finbarr Barry Flood, what I know about Islamic iconoclasm and the interesting political position of Taliban Afghanistan, I can honestly say that I’m in the interesting state of confusion that is not knowing what “side” to be on. On the one hand, I am hugely saddened by the destruction of art, On the other, I’m all “well, they had no other choice!” On the one hand, I’m pretty supportive of actions to restore art and make people aware and proud f their cultural heritage. On the other, I don’t know if I can support UNESCO’s activities in Afghanistan. This sidestep is stop and rant a while because it seems to be the only thing to do, and I feel like ranting some more will probably help me come up with answers to my questions. Until then, I think I’m going to stay pretty confused.

Sunday, January 16, 2011

Step Fifteen

The word "cosmopolitan" gets used as an adjective, but if we look to the original Greek, it's actually a combination of "cosmos" and "politas" - "citizen of the world". It's been appropriated as an adjective, like in reference to a city, where it can mean "Having the characteristics which arise from, or are suited to, a range over many different countries; free from national limitations or attachments." or "Composed of people from many different countries." (both OED Online)

Regardless of nitpicky details about parts of speech, I figure, when we're talking about cities anywhere along the Silk Road(s), and especially ones near the ends, we're talking about the latter definition. So when we're talking about Xi'an (Chang'an, on some maps), we're talking about a city that is ridiculously ethnically/culturally/linguistically/religiously/etc  diverse.

This was my thought process (with some help from the internet - I don't carry the Oxford English Dictionary around in my head, unfortunately) when I dug out my course outline in my attempt to write something that actually fit with the week's theme instead of just branching randomly and haphazardly from the readings.

And then I read some articles. Two really stuck out at me: Bundy's essay "Missiological Reflections on Nestorian Christianity during the Tang Dynasty" and the first chapter of a book by Edward Schafer - romantically entitled Golden Peaches of Samarkand: A Study of Tang Exotics. I'm going to go with a tri-layered argument refinement process here, to boil down a concrete strategy for how to deal on the Silk Road once you reach your destination.

I would like to sum up Section One, before I begin it, with the phrase: "like the new Star Trek movie!" Bundy's focus on the Nestorians' awesome survival method reminded me so much of that movie, in an abstract sense, it was ridiculous. Basically, if you haven't seen it, J. J. Abrams, bless his heart, managed to craft this movie that satisfied both the hardcore Trek nerds (tribble in Scotty's office was such a nice touch) and made a whole new fanbase of people who found it a genuinely good movie without needing to know any Trek lore at all. How does this relate to the Nestorians? They were, essentially, J. J. Abrams. They kept, as far as I can tell from Bundy's article, the basics of their religion so that the original adherents stayed cool with it, while changing and revitalizing things to appeal to the whole new fanbase that they found in China.

So, really, the Nestorians and good ol' J.J. make the point that one should adapt to the times/places in which one finds oneself - to make whatever it is that one is both something that one can fully own, and something that can be equally owned by the other people of the time/place.

In the margins of the article, next to "Step 15: IT'S JUST LIKE STAR TREK!" is the scribble "although it kinda failed the Nestorians but wtvs." And I was pretty worried - was the one awesome argument that I'd found in Bundy's article totally called into question by the fact that the Nestorians were kind of subsumed into broader Chinese culture so that we have very little information about them at all - Bundy makes it seem as though he presents the bulk of the extant material in all of 11 pages - and so that they essentially disappeared as a cultural subset?

It turns out that Schafer is very helpful in answering that question with a resounding "No!" Schafer details an elegant, slightly disorganized (so much getting lost. So many delicious little tangents.) history of Tang China with reference to commerce and luxury items and traders and stuff. It's all really wonderful and opulent and happy and "oh, so traders liked to live here..." until he starts getting into expulsion edicts and the idea of making monastics of all religions disrobe and join secular society for tax purposes and then the revolts and killing of foreign traders and it all gets pretty terrifying.

The basic idea of Schafer's chapter, in connection with my lacklustre conclusion from Bundy, is that, in Tang China, particularly during the end of the dynasty, it was less about cultural survival and more about survival. Period. The Nestorians, then, did it right - they adapted as much as they needed to in order to survive, and if that meant not being foreign, and if that meant getting rid of monastics (which Bundy maintains were the backbone of the religion), and if that meant protecting your family from overzealous revolutionaries however you could, then you did it. I think, too often, in academia we forget about the nitty-gritty, the everyday life aspect of things, and we say "Gee, the Nestorians didn't do themselves any favours!" but what we really mean is "Gee, the Nestorians didn't do us any favours!" and we don't see that, on an individual level, they survived. Dying for your faith is all well and good, but if you can preserve your religion in quiet while preserving your life as well, then, you know, I'd vote for that.

Additionally, as the latter part of the Schafer's chapter makes very clear, whatever your culture was pre-Tang-blowup doesn't matter. Even if you had a strong, non-adaptive presence, after you're gone, they'll find their imaginations are more exciting than you ever were.

It's a sobering thought, that, even if you were really radical and strong and didn't adapt at all, you might not make a mark. And I think it makes the middle point a lot more important, because if even your culture won't survive, you might as well start to think about yourself as an individual/member of a family and get on weathering the storm.

Troubling lessons of the Silk Road(s) boiled down into Step Fifteen: Adapt, and you have a chance of survival. Because even cosmopolitan cities can decide that the world is just too big to include inside their walls, and the weeds that stick up beyond the grass are the ones that get pulled out.